Friday, 27 February 2009
Wednesday, 25 February 2009
Inside Soap
Inside Soap Magazine is where I am, not Love It! as previously reported.
It's out now, apparently, with Unspoken featured in their reviews. See you at the newsagent's!

Monday, 23 February 2009
No. 18...
...on the Asda chart. Sandwiched between the She-Devils' favourites.
Photos of UNSPOKEN released into the wild to follow, once I can figure out how to get them off my phone. Plus, a tale of company policy. Don't you hate company policy?
UPDATE: It's now at 19. Not that I'm obsessively checking or anything.
Photos of UNSPOKEN released into the wild to follow, once I can figure out how to get them off my phone. Plus, a tale of company policy. Don't you hate company policy?
UPDATE: It's now at 19. Not that I'm obsessively checking or anything.
Thursday, 19 February 2009
UNSPOKEN published today!

Happy Publication day to me! And, of course, to the rest of the team who worked so hard to get UNSPOKEN out there...thanks to my wonderful editor and agent, and the fab team at Headline.
There have been reports...sightings. I hear there is a stack on a table in WH Smith at Victoria Station. And someone I don't even know told my granny that there was a write-up in the Coventry Evening Telegraph. There should be a few of these local features coming out round about now. Apparently Unspoken has been chosen as 'Love It!' magazine's book of the week. I have yet to find out which week, but needless to say I will be checking the news stands. There are some other publicity bits going on in the next few weeks and, as soon as things are confirmed, I'll shout out. And if anyone happens to see Unspoken in the shops or charts and just happens to have a camera in their pocket, all snaps greatly received!
You should also now be able to find Unspoken in the 3 for 2 deals in Waterstone's and Borders, as well as WH Smith high street and travel branches (I think in the charts section). And also, good old Asda will be stocking it - so no excuses not to dash out and buy one. Of course, you can order from Amazon if you prefer.
I think I'll be buzzing around the shops later with my camera, stalking unsuspecting browsers, telepathically guiding them towards my book. In fact, when Blood Ties was on the shelves in Asda, I just 'happened' to be checking out the book displays with half an eye on what people were buying. One woman picked up Blood Ties, then reached for another. 'Oh no no no,' I said, pointing to Blood Ties. 'That's the book you want.' She looked a little shocked that I'd spoken to her, annoyed at the interruption. 'Have you read it?' she asked. 'Ah,' I said. 'I wrote it.'
Funny, but she didn't seem to believe me. Do the book-buying public have pre-conceived ideas about what an author should look like? If so, then I think I was about as far off the mark as I could have got. It was an early dash out for supplies on a Sunday morning. I was dressed, er, sloppily. No make-up. You know, that just-got-up look. A basket of heavy groceries hanging off my arm. Youngest She-Devil was bored and moaning at my side. I no doubt looked a bit weary from the night before (well, it was a Saturday). Actually, to my mind, I was sporting a 'classic author' look. We work hard to achieve that (slightly) dishevelled appearance.
Which brings me on to what (and it will be up here in the next day or two) my next blog will be about. Might seem a bit odd and not very publishing-ish, but H is for Home is what I will be harping on about next. Well, if you're a writer, it's where you spend ninety percent of your time. But there are other issues about home and writing. Bet you just can't wait to find out, eh?
I have, at last, updated my website. It's still evolving to be honest, and I know there are some tweaks to be made, but I wanted something up there in time for Unspoken's release. The next thing to go up will be the book group discussion points for Unspoken. But it's a start. If it looks 'odd' on your computer for whatever reason, then can you let me know? I did the site myself (it's a control thing!) and I have this awful feeling it may look a bit different in various browsers and on other monitors.
I have, at last, updated my website. It's still evolving to be honest, and I know there are some tweaks to be made, but I wanted something up there in time for Unspoken's release. The next thing to go up will be the book group discussion points for Unspoken. But it's a start. If it looks 'odd' on your computer for whatever reason, then can you let me know? I did the site myself (it's a control thing!) and I have this awful feeling it may look a bit different in various browsers and on other monitors.
Meantime, I have pretty much finished some kind of plan for Next Novel, as it's known. And I have started writing because it was too cruel not to. OK, so the plan's not entirely finished, but give me ten thousand words or so and I'll have a better idea. But I'm loving my characters. They are very individual and have stepped into their roles perfectly. One or two are going to be very good friends, I feel sure. After I've given them a really hard time. It's a wonder I'd not noticed them before.
S. x
Monday, 9 February 2009
The plot thickens...
So I have: A female television presenter. A stabbing. A blind man. An errant son. A couple of baddies. Oh, and a woman who likes women. (Well, I think she does.)
What do I do with that lot?
Actually, I know exactly what I'm going to do with them. It's going to be great. Trust me.
And I am *really* sick of the snow.
What do I do with that lot?
Actually, I know exactly what I'm going to do with them. It's going to be great. Trust me.
And I am *really* sick of the snow.
Thursday, 5 February 2009
Snow quiet
It's all so quiet, isn't it, with this snow business? It rather suits the between novels mode that has struck me this week. Soft and fluffy outside my window; soft and fluffy in my head. I don't like not being 'in' a novel. I'm beginning to get to know my new characters, but they're not like the old ones yet; the ones I sent off to my editor recently. I knew them really well. I'd spent many months with them. These new people are...well...new. Give me a few weeks, and I'll be begging for them not to leave either. But for now, they haven't done anything to prove themselves to me; to show me what they're made of. That only comes when the writing begins. And how I long for that!
But I have to be good. I have to plan. I have to take this time to work it all out. Once the framework's in place, I'll let loose my players. I give myself until about three o'clock this afternoon before words hit the page. I don't like not writing!
But I have to be good. I have to plan. I have to take this time to work it all out. Once the framework's in place, I'll let loose my players. I give myself until about three o'clock this afternoon before words hit the page. I don't like not writing!
Tuesday, 20 January 2009
G is for Genre
For those who haven't died of boredom, or migrated to more regularly updated blogs, I thought I'd jot down something about genre. The G-word. That's easy then, because that just means type or class or style or content. No problem. Or so I once thought. (Actually, I didn't think. That was my problem.)
Genre, I'd say, was the single biggest stumbling block on my path to publication. Oh, that and actually having the staying power to complete a novel, deciding what to write about, er...not writing drivel, um...getting an agent...yadda yadda...
When I was seven or eight, I wrote a story about a rabbit. And her husband rabbit. Really, it was a tale about me and the boy I was sweet on in my class. I showed it to him and he got it. He said 'I'm that rabbit, and you're the girl rabbit.' I blushed. No one else in the class understood. They thought it was stupid and laughed. True, it was rather an exclusive book. (Six stapled-together pages and only one copy ever printed.) It wasn't easy to identify with. It wasn't strictly romance, and neither was there an adventure. It didn't have pictures and there wasn't much of a story. Genre wasn't even a twinkle in my eye back then.
Going on ten - a little more jaded (think the rabbit had dumped me by then) - and I got into horror stories. I didn't know I was writing horror, but I always used to wait until everyone had gone out of the house before I began. I would scare myself witless with tales of ghosts and zombie children and haunted houses that swallowed people up... You get the picture. At least I was experimenting with a real genre, even though I hadn't yet got a clue about such things. I went through a boarding school phase, inspired by Enid, of course. Then there were the fantasy epics, quite a bit more romance, some science fiction and quite a large number of pages that had absolutely no genre whatsoever. I think I was trying to be literary.
So while I was experimenting with genre, I didn't actually know it. Didn't realise how important it is to be successful. And I didn't realise either, the subtlety of sub-genres or that genres suffer from trends and popularity - or lack of - just like any other product.
Has anyone ever asked you what your book's about? Isn't that the most annoying question ever? Well, it was for me. Because I couldn' answer. Not easily, anyway. 'Oh, it's...um...well, there's this girl in it and...well, something happens and...'
Yes, but what is it?
All anyone wants to hear (initially) - especially those in the business - is what IS it? A romance. Horror. A thriller. Crime. Women's fiction. Young adult. Science fiction. Historical. If you can answer that, then really, nuff said. To begin with, at least. From the moment you approach an agent or editor, their minds are fast-tracking to how/where they can place the novel. How they can categorise it. For that, it needs a label.
Imagine if, overnight, every supermarket manager decided to mix up and randomise ALL the products on ALL the shelves in the shop. Worse - they peeled off all the labels too. So you have ten minutes to grab something for dinner on the way home before you fetch the kids... Supermarket sweep takes on a whole new meaning. Your spaghetti bolognese may well be made with custard.
What if bookshops did the same? And I completely agree with everyone who's now shouting out: But what amazing literary discoveries we would all make! (Custard bolognese). Yes, but also imagine the confusion, the let down, the sales that would be lost when a reader desperate for the next thriller in a series could only find...a kids' picture book, a romance. You go in for salmon and come away with frozen lamb chops. Yuk. Or maybe a better analogy is what if Whiskas cat food started making sandwich fillers. In pink foil sachets. For humans. It's all about expectation. Wasn't there green ketchup once?
Anyway, enough of the food analogy. Genre is important. Books are products, after all. They need to be created with selling in mind. (Yes, of course killer story, amazing characters are important too etc).
Most readers (I realise there are exceptions) want a book to do what it says on the tin. In the correct section of the bookshop. With a cover that shows what lies inside. And all this is important for the author too. It's not just so that CEOs of publishing houses can stack up figures. With some exceptions, most authors want to sell as many books as they can. Right from the start of their careers, they'll be faced with genre. Approaching the right agent (no point sending a YA novel to an agent that deals solely with crime thrillers), the agent sending out the typescript to appropriate editors, the editors balancing their lists/positioning titles and genres in the market place, publicity and marketing strategies - all of these these things are based on genre. What works for one type of novel, may not necessarily work for another.
In the commercial publising business, genre is so important. Decisions are made based upon it. An author needs to be true to their genre - and maybe will have more than one genre - think pseudonyms. I'm constantly excited by writing what I write. Emotional and psychological thrillers. For the moment, I can't imagine writing anything else. I have a ton of ideas stacked up. It feels right. While authors don't want to bore readers with one novel after another that are so similar in content only the cover art makes them unique, we do like to be consistent. It's all about fitting in.
Odd, given that most authors strive to break right out.
Genre, I'd say, was the single biggest stumbling block on my path to publication. Oh, that and actually having the staying power to complete a novel, deciding what to write about, er...not writing drivel, um...getting an agent...yadda yadda...
When I was seven or eight, I wrote a story about a rabbit. And her husband rabbit. Really, it was a tale about me and the boy I was sweet on in my class. I showed it to him and he got it. He said 'I'm that rabbit, and you're the girl rabbit.' I blushed. No one else in the class understood. They thought it was stupid and laughed. True, it was rather an exclusive book. (Six stapled-together pages and only one copy ever printed.) It wasn't easy to identify with. It wasn't strictly romance, and neither was there an adventure. It didn't have pictures and there wasn't much of a story. Genre wasn't even a twinkle in my eye back then.
Going on ten - a little more jaded (think the rabbit had dumped me by then) - and I got into horror stories. I didn't know I was writing horror, but I always used to wait until everyone had gone out of the house before I began. I would scare myself witless with tales of ghosts and zombie children and haunted houses that swallowed people up... You get the picture. At least I was experimenting with a real genre, even though I hadn't yet got a clue about such things. I went through a boarding school phase, inspired by Enid, of course. Then there were the fantasy epics, quite a bit more romance, some science fiction and quite a large number of pages that had absolutely no genre whatsoever. I think I was trying to be literary.
So while I was experimenting with genre, I didn't actually know it. Didn't realise how important it is to be successful. And I didn't realise either, the subtlety of sub-genres or that genres suffer from trends and popularity - or lack of - just like any other product.
Has anyone ever asked you what your book's about? Isn't that the most annoying question ever? Well, it was for me. Because I couldn' answer. Not easily, anyway. 'Oh, it's...um...well, there's this girl in it and...well, something happens and...'
Yes, but what is it?
All anyone wants to hear (initially) - especially those in the business - is what IS it? A romance. Horror. A thriller. Crime. Women's fiction. Young adult. Science fiction. Historical. If you can answer that, then really, nuff said. To begin with, at least. From the moment you approach an agent or editor, their minds are fast-tracking to how/where they can place the novel. How they can categorise it. For that, it needs a label.
Imagine if, overnight, every supermarket manager decided to mix up and randomise ALL the products on ALL the shelves in the shop. Worse - they peeled off all the labels too. So you have ten minutes to grab something for dinner on the way home before you fetch the kids... Supermarket sweep takes on a whole new meaning. Your spaghetti bolognese may well be made with custard.
What if bookshops did the same? And I completely agree with everyone who's now shouting out: But what amazing literary discoveries we would all make! (Custard bolognese). Yes, but also imagine the confusion, the let down, the sales that would be lost when a reader desperate for the next thriller in a series could only find...a kids' picture book, a romance. You go in for salmon and come away with frozen lamb chops. Yuk. Or maybe a better analogy is what if Whiskas cat food started making sandwich fillers. In pink foil sachets. For humans. It's all about expectation. Wasn't there green ketchup once?
Anyway, enough of the food analogy. Genre is important. Books are products, after all. They need to be created with selling in mind. (Yes, of course killer story, amazing characters are important too etc).
Most readers (I realise there are exceptions) want a book to do what it says on the tin. In the correct section of the bookshop. With a cover that shows what lies inside. And all this is important for the author too. It's not just so that CEOs of publishing houses can stack up figures. With some exceptions, most authors want to sell as many books as they can. Right from the start of their careers, they'll be faced with genre. Approaching the right agent (no point sending a YA novel to an agent that deals solely with crime thrillers), the agent sending out the typescript to appropriate editors, the editors balancing their lists/positioning titles and genres in the market place, publicity and marketing strategies - all of these these things are based on genre. What works for one type of novel, may not necessarily work for another.
In the commercial publising business, genre is so important. Decisions are made based upon it. An author needs to be true to their genre - and maybe will have more than one genre - think pseudonyms. I'm constantly excited by writing what I write. Emotional and psychological thrillers. For the moment, I can't imagine writing anything else. I have a ton of ideas stacked up. It feels right. While authors don't want to bore readers with one novel after another that are so similar in content only the cover art makes them unique, we do like to be consistent. It's all about fitting in.
Odd, given that most authors strive to break right out.
Thursday, 8 January 2009
From Russia
Just a quickie to show off the Russian cover of Blood Ties. I totally love it! Quite different to the other BT covers, but very classy and mysterious. Almost a little Salvador Dali with that clock and those errant chairs. Looking forward to seeing what they do with Unspoken, recently sold to Phantom Press. I did a babelfish translation on the title and it gave me: My Strange Daughter.


Wednesday, 7 January 2009
Tell-Tale
Seeing as it's up on Amazon, I guess it's OK to shout out about my new book. It's called TELL-TALE and the hardback is out this September. I don't have a release date for the paperback yet, but assume it will be early next year. It's a psychological thriller about a woman living under the witness protection scheme, a paedophile ring operating from a children's home during the 1980s, and it opens with a suicide. It's about the consequences of telling tales, that it doesn't always pay to tell the truth. I'm proud of this one. I haven't seen a cover yet, but have a feeling Headline will do a fine job.
Meantime, the paperback of UNSPOKEN is soon to hit the shelves. My publicist is working hard to make sure everyone knows about its release on 19th February. I love this book and have been getting some very nice emails from Australia where it's been out for several months already. It should be widely available (supermarkets, high street stores etc) but can also be pre-ordered from Amazon. And don't forget to let me know what you think when you've read it. It's a real thrill to hear from readers.
Finally, I'll soon be posting the next in my publishing A-Z series. Thought I'd talk about genre - unless anyone has any better 'G' ideas. Drop me a line.
Sam xx
Meantime, the paperback of UNSPOKEN is soon to hit the shelves. My publicist is working hard to make sure everyone knows about its release on 19th February. I love this book and have been getting some very nice emails from Australia where it's been out for several months already. It should be widely available (supermarkets, high street stores etc) but can also be pre-ordered from Amazon. And don't forget to let me know what you think when you've read it. It's a real thrill to hear from readers.
Finally, I'll soon be posting the next in my publishing A-Z series. Thought I'd talk about genre - unless anyone has any better 'G' ideas. Drop me a line.
Sam xx
Monday, 5 January 2009
Must try harder
Not doing so good on the resolutions. I've already been in hospital having X-rays for a broken knee cap. I can't walk very well. Therefore I can't do anything with my poor neglected garden. It hurts to sit for long periods, so writing is tough. I could lie down and watch a movie, but of course I fall asleep.
Still, at least I spoke my mind when I was skittled onto concrete by a thug who clearly took the laser game too seriously.
Anyone else flunked out on the self-imposed regimes that January brings?
Still, at least I spoke my mind when I was skittled onto concrete by a thug who clearly took the laser game too seriously.
Anyone else flunked out on the self-imposed regimes that January brings?
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